William Baziotes
Cecilia Beaux
Arthur B. Carles
Clarence Carter
Mary Cassatt
Fern Coppedge
Virginia Cuthbert
Charles Demuth
George Erickson
Daniel Garber
William Glackens
Aaron Harry Gorson
Johanna Hailman
Robert Henri
Roy Hilton
Joseph Hirsch
John Kane
Albert King
George Luks
Norwood MacGilvary
Violet Oakley
Malcolm Parcell
Maxfield Parrish
Horace Pippin
Hobson Pittman
Joseph Plavcan
Edward Redfield
Samuel Rosenberg
Morton Livingston Schamberg
Walter Elmer Schofield
Charles Sheeler
Everett Shinn
John Sloan
Robert Spencer
Walter Stuempfig
Henry Ossawa Tanner
A. Brian Wall
Christian Walter
Everett Warner
Franklin Watkins
N.C. Wyeth

 

Fern Coppedge (1883-1951)
Back Road to Pipersville, n.d.

"People used to think me queer when I was a little girl because I saw deep purples and reds and violets in a field of snow. I used to be hurt over it until I gave up trying to understand people and concentrated on my love and understanding of landscapes. Then it didn't make any difference."
-Fern I. Coppedge

Born in Illinois, Fern Isabel Coppedge studied at the Art Institute of Chicago, the Art Students League, and finally at the Pennsylvania Academy (1917-18), where one of her instructors was likely Daniel Garber. She was also a student at the Philadelphia School of Design for Women, becoming active in the Philadelphia Ten between 1922 and 1935. In 1920 she purchased a house and studio across from Garber’s. She favored the snowscapes that were common subjects for members of the New Hope group. Her Back Road to Pipersville portrays the route to a town not far from Lumberville, and its strong brushwork and lively color are typical of her paintings. Coppedge worked on a smaller scale than her male contemporaries, making sketches ahead of time.

 

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