William Baziotes
Cecilia Beaux
Arthur B. Carles
Clarence Carter
Mary Cassatt
Fern Coppedge
Virginia Cuthbert
Charles Demuth
George Erickson
Daniel Garber
William Glackens
Aaron Harry Gorson
Johanna Hailman
Robert Henri
Roy Hilton
Joseph Hirsch
John Kane
Albert King
George Luks
Norwood MacGilvary
Violet Oakley
Malcolm Parcell
Maxfield Parrish
Horace Pippin
Hobson Pittman
Joseph Plavcan
Edward Redfield
Samuel Rosenberg
Morton Livingston Schamberg
Walter Elmer Schofield
Charles Sheeler
Everett Shinn
John Sloan
Robert Spencer
Walter Stuempfig
Henry Ossawa Tanner
A. Brian Wall
Christian Walter
Everett Warner
Franklin Watkins
N.C. Wyeth

 

 

William Baziotes (1912-1963)
Untitled, 1946

William Baziotes was born in Pittsburgh and grew up in Reading, Pennsylvania. He studied painting at the National Academy of Design, graduating in 1936. He was employed by the WPA through 1941. His first one-man exhibition was held in 1944 at Peggy Guggenheim’s Art of This Century Gallery. He was a founding member, along with Robert Motherwell, Mark Rothko, David Hare and Barnett Newman, of the Subjects of the Artist School in New York. After his death in 1963, a memorial exhibition which traveled the country was organized by the Solomon R. Guggenheim Museum.

Baziotes’ work reflects an interest in Automatism (tapping the unconscious for the creation of images), Surrealism, and the art of Miro, Matta and Arp. He developed a personal vocabulary of abstract symbols which often have a rounded, lifelike character. These “biomorphs” are shapes that suggest a living organism but do not consciously represent one. Paintings from the mid-1940s, like Untitled from 1946, represent the biomorphs as seen through a window or doorway, or as places on a platform or stage, suggesting space despite the flatness of the composition. In his mature works, the forms are magnified to occupy the entire canvas, and the surrounding framework disappears. Baziotes’ paintings represent a synthesis of Surrealist subject and Cubist style.

 

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