William Baziotes
Cecilia Beaux
Arthur B. Carles
Clarence Carter
Mary Cassatt
Fern Coppedge
Virginia Cuthbert
Charles Demuth
George Erickson
Daniel Garber
William Glackens
Aaron Harry Gorson
Johanna Hailman
Robert Henri
Roy Hilton
Joseph Hirsch
John Kane
Albert King
George Luks
Norwood MacGilvary
Violet Oakley
Malcolm Parcell
Maxfield Parrish
Horace Pippin
Hobson Pittman
Joseph Plavcan
Edward Redfield
Samuel Rosenberg
Morton Livingston Schamberg
Walter Elmer Schofield
Charles Sheeler
Everett Shinn
John Sloan
Robert Spencer
Walter Stuempfig
Henry Ossawa Tanner
A. Brian Wall
Christian Walter
Everett Warner
Franklin Watkins
N.C. Wyeth

 

 

Edward Redfield (1869-1965)
Fleecydale Road, n.d.

The most influential member of the New Hope school was Edward Redfield (1869-1965, who moved to Center Bridge in 1898, the first of the group to settle in the area. He had studied at the Academy during the late 1880s before going abroad. His early friendship with Robert Henri, with whom he would travel, serves as a reminder that many of these artistic circles were permeable, with considerable stylistic overlap. His several trips to France during the 1890s introduced him to plein air painting, and thereafter he painted out of doors year round. He completed his canvases in a single day, and remains best known for his large snow scenes. Fleecydale Road captures the small scale of village life in the region, and his muted palette conveys a typical overcast winter day. One of the most successful landscape painters of his day, after his first one-man show at the Academy in 1896, his work was exhibited widely.

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